24 Rock Around The World I April 1978
DETECTIVE
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Behind
This
Door . . .
by Stephanie Embrey
"Dingy rehearsal rooms—that is our life! We live in dingy, Dada rehearsal halls and dingy, Dada Hiltons and Holiday Inns," proclaimed Michael Des Barres, Detective's lead singer, with mock theatrical elogquence. The setting, appropriately enough, was the dimly lit Studio "D" in the original, ivy-dripping S.I.R. (Studio Instrument Rentals) complex on Santa Monica Boulevard near Vine Street, in a Hollywood swiftly going seedy.
Less that three weeks removed from their last national tour, Des Barres and the other members of Detective (Jon Hyde—drums, Tony Kaye--keyboards, Michael Monarch—lead guitar, and Bobby Pickett—bass) were once again readying themselves for the rigors of the road. Although the group's second Swan Song album, It Takes One To Know One, has maintained a tenacious hold on the national charts, Detective, which opened concerts for Blue Oyster Cult, Kiss, and Todd Rundgren between October 1977 and January 1978, was rehearsing for its first headlining tour. However, after only a handful of dates, the group was forced to postpone the remainder of its Midwest and East Coast concerts because of blizzards, to make a
hasty retreat to Los Angeles.
Until weather permits, and the tour is rescheduled, Detective will play in more temperate climates, including a concert at the Santa Monica Civic Auditorium.
Detective found its name when Des Barres purchased a True Life Detective magazine. Said Des Barres, "The title caught my eye, so I called Monarch for his opinion and he liked it too. It was as simple as that. It has no concept. Like any name, you bring to it what you will. I think that, once you start talking conceptually, you lose the concept."
"Like all art, you take from it what you want. When people see a painting, they read exactly what they want into it. It's a matter of interpretation. Likewise with the name of a rock band: 'Wings,' for instance, flapping?" At this critical pause, Des Barres helpfully flailed his arms in the air to illustrate his point.
The three-year-old Anglo-American unit is composed of five rock and roll survivors with a strong accent on unity. Some of Detective's prior professional credits include Silverhead (Des Barres), Steppenwolf (Monarch), Yes (Kaye), Sugarloaf (Pickett), Badger (Kaye and Hyde), and a variety of session jobs. However, the most intriguing aspect of Detective, or any other band, for that matter, is the interaction that takes place among its members, fusing a collection of separate individuals into a single, coordinated group identity.
In Tony Kaye's words, "As far as I'm concerned, everything I've done before has been a training ground for me, both musically and personally. I think that it has been the same kind of forward progression for all of us. Now, we've
graduated ... into Detective."
Des Barres validated these sentiments with a few thoughts of his own: "I think the hardest thing in the world, actually is not merely being a good musician on your own, but uniting five people into a single musical entity. And that's hard. Because that's basically what we're all about right now, trying to lose our vanity and our individuality in a group perception. You see, when the five of us share one thought, it's true communication and chemistry."
Detective is aware of the slow and circuitous nature of success in the music industry. The "quick gain" and the "overnight sensation" are avoided rather than sought out. Des Barres expressed the group goals when he indicated that "We want to get there, and stay there, and make great albums. We want a long term, sustained kind of career, and that involves growth and evolution."
"We never get lost on stage," he exclaimed. "That's when we come alive. It's what we live for—I mean, you travel twenty-three hours a day to get there, and the buzz and the drug, 1 guess, is simply' being out there, performing."
Pickett nodded wryly. "That's about the only time when we do know where we are."
Des Barres countered with a description of the group's stage show: "We try to emit a lot of energy and excitement on the stage, a lot of drama. I'm very theatrical on stage," confessed the former actor, pausing one beat for emphasis. "I do Hamlet in between songs." Amid
laughter and scoffing from the rest of the bands, Des Barres leveled another one-liner, "Pickett is much more dramatic than I am—he's a rock and roll Othello!"
Pickett followed his lead with on-theroad romantic strategy. "We always try to find ways to make it easier for our fans to get to us."
"Pickett wears his phone number on his t-shirt," laughed Des Barres, "actually, he wears his hotel room number."
Replied Pickett, "Yeah, I had four hundred different shirts made this year, with all our hotel room numbers silk-screened on them."
By this time, Michael Monarch, introduced by Des Barres as "Romeo Monarch, the sex object and resident enigma of Detective," slouched in, looking tired, tormented, and anxious to rehearse. While Jon Hyde's drums echoed insistently, and the rest of the band began to set up and tune their instruments, Des Barres summed up his philosophy in a serious, succinct statment that linked him spiritually to Jimmy Page, Led Zeppelin's most mystical member, and the moving force behind Swan Song, Zeppelin's custom label. "I think if you're into the occult, or just about any form of spirituality, it's got to affect everything, hasn't it? You can't just go home and do it as a hobby. I'm not too heavy-handed about it, and I don't go around preaching, because there's nothing to preach. If you find out what you want to do, pursue it, and use all your energies to that end. Every day, every moment, is an alchemical process, but I hate to think of the past or the future. I'm really concentrating on what's happening right now. Communication is alchemical, but it's something you don't talk about. It's spontaneous, and the minute you start talking about it, the energy dissipates, and it becomes pretense."



